Jerzy Grotowski
Jerzy Grotowski was a Polish theatre director and innovator of experimental theatre, the "theatre laboratory" and "poor theatre" concepts.
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Peter Brook
Peter Brook is a world-renowned theater director, staging innovative productions of the works of famous playwrights. A native of London, he has been based in France since the 1970s.
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Peter Brook's parents were immigrant scientists from Russia. A precocious child with a distaste for formal education but a love of learning, Brook performed his own four-hour version of Shakespeare's Hamlet at the age of seven. After spending two years in Switzerland recovering from a glandular infection, Brook became one of the youngest undergraduates at Oxford University. At the same time he directed his first play in London, a production of Marlowe's Dr. Faustus. Brook made his directing debut at the Stratford Theatre at the age of 21, with a production of Lov -
Kōhei Saitō
Kohei Saito received his Ph.D. from Humboldt University in Berlin. He is currently associate professor of political economy at Osaka City University. He has published articles and reviews on Marx’s ecology, including “The Emergence of Marx’s Critique of Modern Agriculture,” and “Marx’s Ecological Notebooks,” both in Monthly Review. He is working on editing the complete works of Marx and Engels, Marx-Engels-Gesamtausgabe (MEGA) Volume IV/18, which includes a number of Marx’s natural scientific notebooks.
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Édouard Louis
Édouard Louis is a French writer born October 30, 1992. Édouard Louis, born Eddy Bellegueule, grew up in Hallencourt (Somme) before entering theater class at the Lycée Madeleine Michelis in Amiens. From 2008 to 2010 he was a delegate of the Amiens Academy to the National Council for High School Life, then studied history at the University of Picardy.
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From 2011, he is pursuing sociology studies at the ENS in the rue d'Ulm. In 2013, he obtained a name change and became Édouard Louis.
The same year, he directed the collective work Pierre Bourdieu. Insubordination as a legacy to the PUF, a work in which Bourdieu's influence on critical thinking and on emancipation policies is analyzed. In March 2014, he announced that he would direct a collection -
Anton Chekhov
Dramas, such as The Seagull (1896, revised 1898), and including "A Dreary Story" (1889) of Russian writer Anton Pavlovich Chekhov, also Chekov, concern the inability of humans to communicate.
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Born ( Антон Павлович Чехов ) in the small southern seaport of Taganrog, the son of a grocer. His grandfather, a serf, bought his own freedom and that of his three sons in 1841. He also taught to read. A cloth merchant fathered Yevgenia Morozova, his mother.
"When I think back on my childhood," Chekhov recalled, "it all seems quite gloomy to me." Tyranny of his father, religious fanaticism, and long nights in the store, open from five in the morning till midnight, shadowed his early years. He attended a school for Greek boys in Taganrog from 1867 -
Gerald Murnane
Murnane's first two books, Tamarisk Row (1974) and A Lifetime on Clouds (1976), seem to be semi-autobiographical accounts of his childhood and adolescence. Both are composed largely of very long but grammatical sentences.
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In 1982, he attained his mature style with The Plains, a short novel about a young filmmaker who travels to a fictive country far within Australia, where his failure to make a film is perhaps his most profound achievement. The novel is both a metaphysical parable about appearance and reality, and a parodic examination of traditions and cultural horizons. The novel depicts an abstracted Australia, akin to something out of mythology or fable. The novel was followed by: Landscape With Landscape (1985), Inland (1988), Velvet Wa -
Edmondo de Amicis
Edmondo de Amicis was an Italian novelist, journalist, poet and short-story writer. His best-known book is the children's novel Heart.
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Pedro Calderón de la Barca
Pedro Calderón de la Barca y Henao was a dramatist of the Spanish Golden Age.
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Calderón initiated what has been called the second cycle of Spanish Golden Age theatre. Whereas his predecessor, Lope de Vega, pioneered the dramatic forms and genres of Spanish Golden Age theatre, Calderón polished and perfected them. Whereas Lope's strength lay in the sponteneity and naturalness of his work, Calderón's strength lay in his capacity for poetic beauty, dramatic structure and philosophical depth. Calderón was a perfectionist who often revisited and reworked his plays, even long after they debuted. This perfectionism was not just limited to his own work: many of his plays rework existing plays or scenes by other dramatists, improving their depth, comp -
Caryl Churchill
Caryl Churchill (born 3 September 1938) is an English dramatist known for her use of non-naturalistic techniques and feminist themes, dramatisation of the abuses of power, and exploration of sexual politics.[1] She is acknowledged as a major playwright in the English language and one of world theatre's most influential writers.
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Her early work developed Bertolt Brecht's modernist dramatic and theatrical techniques of 'Epic theatre' to explore issues of gender and sexuality. From A Mouthful of Birds (1986) onwards, she began to experiment with forms of dance-theatre, incorporating techniques developed from the performance tradition initiated by Antonin Artaud with his 'Theatre of Cruelty'. This move away from a clear Fabel dramaturgy towards i -
Martin Crimp
Martin Andrew Crimp (born 14 February 1956 in Dartford, Kent) is a British playwright.
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Crimp is sometimes described as a practitioner of the "in-yer-face" school of contemporary British drama, although he rejects the label. He is notable for the astringency of his dialogue, a tone of emotional detachment, a bleak view of human relationships – none of his characters experience love or joy – and latterly, a concern for theatrical form and language rather than an interest in narrative. -
Martin McDonagh
While still in his twenties, the Anglo-Irish playwright Martin McDonagh filled houses in New York and London, was showered with the theatre world's most prestigious accolades, and electrified audiences with his cunningly crafted and outrageous tragicomedies.
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Augusto Boal
Augusto Boal was a Brazilian theatre director, writer and politician. He was the founder of Theatre of the Oppressed, a theatrical form originally used in radical popular education movements.
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His books are very influential. With 22 published works, translated to more than 20 languages, his views are studied in Theatre schools all over the world. -
Miranda July
Miranda July (born February 15, 1974) is a performance artist, musician, writer, actress and film director. She currently resides in Los Angeles, California, after having lived for many years in Portland, Oregon. Born Miranda Jennifer Grossinger, she works under the surname of "July," which can be traced to a character from a "girlzine" Miranda created with a high school friend called "Snarla."
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Miranda July was born in Barre, Vermont, the daughter of Lindy Hough and Richard Grossinger. Her parents, who taught at Goddard College at the time, are both writers. In 1974 they founded North Atlantic Books, a publisher of alternative health, martial arts, and spiritual titles. Miranda was encouraged to work on her short fiction by author and friend -
Constantin Stanislavski
Constantin Sergeyevich Stanislavski (russian:Константин Сергеевич Станиславский) was a Russian actor and theatre director.
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Stanislavski's innovative contribution to modern European and American realistic acting has remained at the core of mainstream western performance training for much of the last century. Building on the directorially-unified aesthetic and ensemble playing of the Meiningen company and the naturalistic staging of Antoine and the independent theatre movement, Stanislavski organized his realistic techniques into a coherent and usable 'system'. Thanks to its promotion and development by acting teachers who were former students and the many translations of his theoretical writings, Stanislavski's system acquired an unprecedente -
Paul Gauguin
Gauguin was a financially successful stockbroker and self-taught amateur artist when he began collecting works by the impressionists in the 1870s. Inspired by their example, he took up the study of painting under Camille Pissarro. Pissarro and Edgar Degas arranged for him to show his early painting efforts in the fourth impressionist exhibition in 1879 (as well as the annual impressionist exhibitions held through 1882). In 1882, after a stock market crash and recession rendered him unemployed and broke, Gauguin decided to abandon the business world to pursue life as an artist full-time.
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In 1886, Gauguin went to Pont-Aven in Brittany, a rugged land of fervently religious people far from the urban sophistication of Paris. There he forged a new -
Federico García Lorca
Born in Fuente Vaqueros, Granada, Spain, June 5 1898; died near Granada, August 19 1936, García Lorca is one of Spain's most deeply appreciated and highly revered poets and dramatists. His murder by the Nationalists at the start of the Spanish civil war brought sudden international fame, accompanied by an excess of political rhetoric which led a later generation to question his merits; after the inevitable slump, his reputation has recovered (largely with a shift in interest to the less obvious works). He must now be bracketed with Machado as one of the two greatest poets Spain has produced in the 20th century, and he is certainly Spain's greatest dramatist since the Golden Age.
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Yukio Mishima
Yukio Mishima (三島 由紀夫) was born in Tokyo in 1925. He graduated from Tokyo Imperial University’s School of Jurisprudence in 1947. His first published book, The Forest in Full Bloom, appeared in 1944 and he established himself as a major author with Confessions of a Mask (1949). From then until his death he continued to publish novels, short stories, and plays each year. His crowning achievement, the Sea of Fertility tetralogy—which contains the novels Spring Snow (1969), Runaway Horses (1969), The Temple of Dawn (1970), and The Decay of the Angel (1971)—is considered one of the definitive works of twentieth-century Japanese fiction. In 1970, at the age of forty-five and the day after completing the last novel in the Fertility series, Mishima
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Peter Brook
Peter Brook is a world-renowned theater director, staging innovative productions of the works of famous playwrights. A native of London, he has been based in France since the 1970s.
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Peter Brook's parents were immigrant scientists from Russia. A precocious child with a distaste for formal education but a love of learning, Brook performed his own four-hour version of Shakespeare's Hamlet at the age of seven. After spending two years in Switzerland recovering from a glandular infection, Brook became one of the youngest undergraduates at Oxford University. At the same time he directed his first play in London, a production of Marlowe's Dr. Faustus. Brook made his directing debut at the Stratford Theatre at the age of 21, with a production of Lov -
Sarah Kane
Sarah Kane was an English playwright. Her plays deal with themes of redemptive love, sexual desire, pain, torture—both physical and psychological—and death. They are characterised by a poetic intensity, pared-down language, exploration of theatrical form, and, in her earlier work, the use of stylized violent stage action. Kane battled with depression, and her life was brought to a premature end when she committed suicide at London's King's College Hospital. Her published work consists of five plays and one short film, Skin.
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Peter Shaffer
Sir Peter Levin Shaffer was an English dramatist, author of numerous award-winning plays, several of which have been filmed.
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See also http://en.wikipedia.org/wiki/Peter_Sh... -
Bertolt Brecht
Eugen Berthold Friedrich Brecht was a German poet, playwright, and theatre director. A seminal theatre practitioner of the twentieth century, Brecht made equally significant contributions to dramaturgy and theatrical production, the latter particularly through the seismic impact of the tours undertaken by the Berliner Ensemble—the post-war theatre company operated by Brecht and his wife and long-time collaborator, the actress Helene Weigel—with its internationally acclaimed productions.
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From his late twenties Brecht remained a life-long committed Marxist who, in developing the combined theory and practice of his 'epic theatre', synthesized and extended the experiments of Piscator and Meyerhold to explore the theatre as a forum for political -
Antonin Artaud
French surrealist poet and playwright Antonin Artaud advocated a deliberately shocking and confrontational style of drama that he called "theater of cruelty."
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People better knew Antoine Marie Joseph Artaud, an essayist, actor, and director.
Considered among the most influential figures in the evolution of modern theory, Antonin Artaud associated with artists and experimental groups in Paris during the 1920s.
Political differences then resulted in him breaking and founding the theatre Alfred Jarry with Roger Vitrac and Robert Aron. Together, they expected to create a forum for works to change radically. Artaud especially expressed disdain for west of the day, panned the ordered plot and scripted language that his contemporaries typically emp -
Luigi Pirandello
Luigi Pirandello; Agrigento (28 June 1867 – Rome 10 December 1936) was an Italian dramatist, novelist, poet, and short story writer whose greatest contributions were his plays.
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He was awarded the 1934 Nobel Prize in Literature for "his bold and ingenious revival of dramatic and scenic art"
Pirandello's works include novels, hundreds of short stories, and about 40 plays, some of which are written in Sicilian. Pirandello's tragic farces are often seen as forerunners of the Theatre of the Absurd. -
Milan Kundera
Milan Kundera (1 April 1929 – 11 July 2023) was a Czech and French novelist. He went into exile in France in 1975, acquiring citizenship in 1981. His Czechoslovak citizenship was revoked in 1979, but he was granted Czech citizenship in 2019.
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Kundera wrote in Czech and French. He revises the French translations of all his books; people therefore consider these original works as not translations. He is best known for his novels, including The Joke (1967), The Book of Laughter and Forgetting (1979), and The Unbearable Lightness of Being (1984), all of which exhibit his extreme though often comical skepticism. -
Frank Wedekind
Benjamin Franklin Wedekind, usually known as Frank Wedekind, was a German playwright. His work, which often criticizes bourgeois attitudes (particularly towards sex), is considered to anticipate expressionism, and he was a major influence on the development of epic theatre.
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Aeschylus
Greek Αισχύλος , Esquilo in Spanish, Eschyle in French, Eschilo in Italian, Эсхил in Russian.
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Aeschylus (c. 525/524 BC – c. 456 BC) was an ancient Greek tragedian often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.
Only seven of Aeschylus's estimated 70 to 90 plays have survived. There is a long-standing debate regarding the authorship of one of them, Prometheus Bound, with some scholars arguing that it may be the work o -
Euripides
Euripides (Greek: Ευριπίδης) (ca. 480 BC–406 BC) was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (Rhesus is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declined—he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.
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Eur -
Paul Gauguin
Gauguin was a financially successful stockbroker and self-taught amateur artist when he began collecting works by the impressionists in the 1870s. Inspired by their example, he took up the study of painting under Camille Pissarro. Pissarro and Edgar Degas arranged for him to show his early painting efforts in the fourth impressionist exhibition in 1879 (as well as the annual impressionist exhibitions held through 1882). In 1882, after a stock market crash and recession rendered him unemployed and broke, Gauguin decided to abandon the business world to pursue life as an artist full-time.
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In 1886, Gauguin went to Pont-Aven in Brittany, a rugged land of fervently religious people far from the urban sophistication of Paris. There he forged a new